Tuesday, 7 August 2012

Stud Cum Slut


Dog. ***

Shady, scrofulous emanations
adjust fuckery attitude connotations

on the blink

Thick Dick: Stripping
the bone.

LoveInaBoX

Botox Fox,
sneering veneers.
drastic plastic,
pinned back ears.

Nipper, tuck cur
bits drip off
as I attempt to
mount her.

Alice –
maid in multiplex:
fake-bake beauty

magnifying this counter
clock-wise
clucking complex.

Slag.

You don’t just stretch me here
You stretch me here too.

Indicating
with a grubby fingernail
the relevant,
expanded regions of her figure:

she physically punctuated her
podgy proclamation.

I had craved a
feverish public statement.

She did not oblige.

Her cold computer
annotated only scorn and spite.

Cock.

I was the most popular boy in school.

You know how girls talk.

The buttery word spreads
hot legs and dead-wet seas like a

Conqueror, divider –
Cervix choker.

Rooster.

Pretty
needy nine teens – a married man or two,
a whore, a governess and an angel.

Each Judas-kiss betraying
every lover to come back for more.

Brain cramp:
tubular nerves play pins and needle keys,
tinkling the ivory corridor of her ebony rectum.

Afterwards

I defaced my magnificence
with a flathead screwdriver.

If they couldn’t have me,
no one else ever would.

The sickening sabotage of
a profane propeller
spinning sin.

And so, I occur unevenly
dotted.

Boa Constrictor.

The hibernation-child hunkers down
on the naughty-step that baby jesus
carved into my arm

a tantrum, slitting open
nagging instability envelopes.

And the eviler of the two attendees; the older brother.
The quiescent character of potential – petulant and
sulky. He is the desolated psychic rebound
of what could have been.

Swine.

I forage –
for the swarming
seeds of my youth.

Torrid with milky
barely water and musky catmint,
slack sausage and magenta shrimp tads
sour a soup that spurts,

flung –
the flush of blue paradise
rushing down the unprotected neck-hole
U-bend of a thrush-throated skank.

Saint.

I grasp the tin can opener.

I reminisce,
and with the other hand

I turn the pain back
to square

One.

Octpopuss.

Four walls
flanked by dainty Fucklings
wet-nursing the ripping rim.

Extracting septic vaJazzle bungs
with their tiny tweezers.

They gargle with the bedazzled backwash.

Jet spraying the high grade pluck:

The bloodshot-rain simmers
the last snow-capped peak
of inborn innocence

made slush

But for the gum-clung wing
of the guardian angel

Simulating the Son of Man
as an ultimate prototype:
silk-screening blank notes
on which she gently guides,
coaxing to compose
invisible ink enigmas.

Lamb in 8.

Paper weight.
Origami cranes winch –
Lit with the flame of her industrial belief

protecting – proving

love is possible

In my thinker.

13 comments:

  1. I had craved a
    feverish public statement.

    She did not oblige.

    Her cold computer
    annotated only scorn and spite.

    dang, great scene you set there in the grit...

    You know how girls talk.

    The buttery word spreads
    hot legs and dead-wet seas like a

    Conqueror, divider –
    Cervix choker.

    love the wicked flow, ha again a great scene that carries honest...intriguing verse man, in your style complete

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  2. I am affected... snapping fingers and wincing.

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  3. Two trips through this, and the first responder has to gag back a cliche--cliche's are not allowed on this page--by the middle I felt flayed as a suede cow, but the ending was fucking transcendental, and I expect the lamb in 8, if He doesn't miss the train, or become particle bored. Infinite jester, indeed, but there is a soft nougatty center, I think...

    '..And so, I occur unevenly
    dotted.'

    Jesus.

    (And that's not mentioning the wallpaper.) Oh, and the rhyme here is strictly pimping for your muse in all the most lucrative ways imaginable. Don't fire it. I'm stopping before I become seriously surreal. Excellent excellent poem, Arron.

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  4. Wow what a flow and you surely let go, octopuss haha I'm sure it wasn't a cat and fish cross right?

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  5. Someone said (don't ask me who because my brain is too fried to remember) that poets put a little of themselves in everything they write. I'm glad I don't believe that. Strong and acerbic, Arron. Well written.

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  6. Wow this would be so kewl stripped to a wicked backbeat in 5/4 time

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  7. read your piece again and again because of the dead-wet seas. now i find myself void of any kind of previously acquired knowledge. this piece unsurfaces with a fillet knife tongue. Klee, "an artist does not render Nature. He renders visible." i believe you render visible.

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  8. Wow!

    On August 17th I am to read poetry at the Buchanan House (Let me lift up my nose now and smell the aroma of the better bred.) to listeners who can afford the fees at the country club. May I read this poem? and not claiming it as my own say:

    "This was written by a friend across the ocean who stretches the crease where the slag sausage limps (You remember, don't you?). It is the place where on your knees you once licked the rim of the kiln where the jelly leaked. And please do remember that spot of gravy above your lip and that clean white napkin on your lap. If you've forgotten, here are some directions: Take your Napoleon hand from underneath it and raise it up to surrender. Then, let your tongues fall beneath the table and choose 'the gum-clung wing of the guardian angel'."

    I can't judge how well written this poem is since it encompasses so many different modes yet is so original. Thematically, let me guess...it is best critiqued along with the subject of postmodern intimacy.

    Regards

    Ted Beck

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  9. This was very well done Aaron. Very vivid, powerful, gripping. The butter legs, clucking complex, the mounting and dismounting, splaying and defacing==very intense, bitter, but well, kind of affirming just in its energy. k.

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  10. Wordplay exemplar and imagining the performance at the local ladies poetry night! A clear example that the artist must not allow the censor to kill the thought.

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  11. Maybe this is an un-poem. I think..a play...a film..moving the images, light, camera angles, past Truffaut, Fellini, beyond Peckinpah..exploring new definitions of image in a post-modern time. Fascinating.

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  12. posting video of me reading your poem at the Buchanan House 8/16/12 on youtube as "Beck recites Shilling"

    ReplyDelete

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